The automobile industry eventually began waging a psychological campaign to get pedestrians out of the streets. First, it invented the term “jaywalking” (a reference to the idea of jaybirds as loud idiots) to make fun of pedestrians walking in the street as being stuck in the past.
![Bob Dylan is 71 today [via]](http://25.media.tumblr.com/tumblr_m4jgiiH1YR1qdrfhwo1_500.jpg)
Apparently, Harold Ramis also tried to adapt the book in 1982 with John Belushi as Reilly, but Belushi died just days before a scheduled meeting with production executives.
[via vulture]
Here We Go Magic - How Do I Know (Bandstand Busking session)
It’s easy to think this band’s sound comes from electronics and synthesizers. But this video is proof of the raw instrumentation that drives the transcendental, repetitive swelling of many of Here We Go Magic’s songs. Even in a stripped-down form, with hand claps instead of drums, they turn two chords into something complex, gently adding little flourishes that accumulate until the end of the song is almost unrecognizable from the beginning—yet the same two chords have been playing the whole time.
Contrary to so many other writers who would wish to be the only ones in the world, he [Fuentes] wished to celebrate the idea that each day, the writers of the world only get younger and younger. I have the impression that he dreams of an ideal world inhabited by writers and only writers. Sometimes I’ve tried to spoil his enthusiasm, telling him that this place already exists: that it’s Hell. But he doesn’t believe it, not even jokingly, because his faith in the messianic destiny of letters has no bounds.
“
| — | Gabriel García Márquez, in La Jornada - June 1988. Roughly translated from the Spanish. |
![When a Music Scene Leads to a Boom [Atlantic Cities]
Flemmons launched the idea as a day-party during the 2005 SXSW music festival in Austin (four hours south of Denton) while slowly establishing relationships with City of Denton employees and representatives. In 2009, he enlisted a group of volunteers and situated the festival in the venues surrounding Denton’s historic square to highlight the walkability of the town with hopes of “people getting out of their cars and staying out of them.” The inaugural Denton edition was a modest success, with approximately 2,000 attendees taking in shows by mainly local and regional bands.
The 35 Denton music festival in Denton, TX (home of Midlake and Neon Indian, among others) is an impressive intersection of music, urban planning, and sustainability.](http://24.media.tumblr.com/tumblr_m47z7uJZKw1qdrfhwo1_500.jpg)
When a Music Scene Leads to a Boom [Atlantic Cities]
Flemmons launched the idea as a day-party during the 2005 SXSW music festival in Austin (four hours south of Denton) while slowly establishing relationships with City of Denton employees and representatives. In 2009, he enlisted a group of volunteers and situated the festival in the venues surrounding Denton’s historic square to highlight the walkability of the town with hopes of “people getting out of their cars and staying out of them.” The inaugural Denton edition was a modest success, with approximately 2,000 attendees taking in shows by mainly local and regional bands.
The 35 Denton music festival in Denton, TX (home of Midlake and Neon Indian, among others) is an impressive intersection of music, urban planning, and sustainability.
For years music executives have assumed that Latin American musicians would have to record in English to achieve major success in the United States, like Shakira or Ricky Martin. But Maná, with its mix of love songs and more pointed political material about immigration and the environment, has been playing sold-out concerts across the United States for decades, selling millions of records in the process. And while it has attracted fans with no connection to Latin America with its Police-style reggae and pop-influenced rock, the band has no plans to begin singing in English.
